One thing about digital art is it kind of ... doesn't exist! It does, of course, and usually it ends up being printed or, in the case of Curious Expedition 2, the video game I worked on with Maschinen-Mensch, displayed on a screen. But until CE2 I'd worked almost exclusively in print, so to have the art existing exclusively in the digital ether feels a bit strange.

I wanted a decent record of all the work I did, so I've made a one-off art book (through Blurb), a portfolio, just for my own archive. Although there are no other copies (the art remains the copyright of Maschinen-Mensch), I did make a little video of a flip-through the book, so you can have a peek for yourself.

A project I worked on at the end of 2022 and into the new year has just gone live over on the Museum of London website. It's a 7-page comic called Deaf Londoners in the 1660s, and it tells the story of three such people, two who we know of from the diaries of Samuel Pepys.

You can read the comic and see the accompanying resources here, including teachers' notes and a BSL-interpreted video of the strip.

The comic was principally researched and written by Dr. Kate Loveman, Associate Professor in English Literature, 1600-1789, at the University of Leicester, and an expert and author on Samuel Pepys, and all done as part of the Reimagining the Restoration project. Also directing the project was the Museum's Learning Manager, James Harrod.

It was great fun to do, with plenty of detail to research - and it was wonderful to have a couple of real experts on hand to advise and provide material and context for the visuals.

Many thanks to both Kate and James for a terrific working experience, and for bringing me into the project.

My work-illustration website has been woefully out of date for a few years now, but I've, at last, spent the past two weeks redesigning and updating it, and now it's live and published.

It should be good for desktops, tablets and phones, so give it a whirl ... and let me know if anything is broken or you spot a typo .... there's always one lurking about somewhere.

Earlier in February I recorded an interview with Paulo Tirre from Eurocomics, which has just been released on their excellent channel today - you can see it here.

Eurocomics comes out to us from Brazil, and while much of their content is in Portuguese and French, my interview is in English. Hope you enjoy it!

I'm currently redesigning and building my work website - after nearly three years of no updates. Anyway, I came across these mole concept drawings I did for Curious Expedition 2 - I don't remember doing them, but I like them, so thought I'd post them here before February vanishes.

This year saw the 50th anniversary of the Festival de la Bande Dessinée d'Angoulême, just known as Angoulême to most comics folk, the town where publishers and creators alike gather annually for one of the largest comics festivals in the world.

I've only been once, a very memorable trip back in 2014, but The Beat has included my brief views as part of their Angoulême Memories piece, including some who have been nearly 40 times (such as Paul Gravett).

For a trip down (my) memory lane you can read my blog report from the time here.

Just in case you haven't checked for a while, there have been a few new Brambletye Box strips put up over Christmas and the new year.

Progress has not exactly been zooming along, but it is being made, even while I'm having a very busy January with other work (I'm doing a lovely project at the moment with the Museum of London - I'll show some when I can).

Don't forget you can help support and encourage such progress by joining my Julius Chancer Patreon page, if you're able to. Thank you!

Here it is, the final DLC for Maschinen-Mensch's Curious Expedition 2. Previous DLCs have been paired with the (British) Avalon Club and the (Chinese) Taishi Academy, and now it's the turn of (the American) Lux Labs with The Robots of Lux.

There's a bit of a difference with this one as the three new featured characters are all from another computer game called Steamworld Heist, which I'm not familiar with, but had to learn a bit about of course in order to draw them - Piper Faraday, Billy Gill and Valentine Butterbolt.

Other new features include the Naturalist (who can train any animal in the game), the robot chameleon (which was super fun to create), the plasma spiders and the yeti, not to mention a number of new items and bits of equipment, as well as a new location, the old theatre (complete with not-so-hidden Tintin reference).

This DLC features the final bits of art I drew for CE2 towards the end of last year and the beginning of this one. The base game on its own is a very rich experience, but add these modules and its scope just becomes enormous and varied. It's an incredible game and I'm still in awe of how it all came together, and privileged to be a part of it.

The game and its DLCs are available on PC at Steam and GOG, as well as for XBox, PlayStaton and Switch. And if you're quick, they're heavily discounted as I post this!

A couple more Brambletye Box strips have gone up, and you may recognise this character from a previous meeting ...

It's Mr. Arthur Privett, a fellow historical researcher who made an appearance at the beginning of The Secret of the Samurai. He's not as impressive as he likes to think he is!

Here are a few character sketches for the current Brambletye Box scene (the Glinck's auction). If you want to see more behind the scenes work like this then please consider signing up to my Patreon page here - thank you!

Work on The Brambletye Box is proceeding nicely. I've just scripted the next scene and all the layout and roughs are completed, and drawing has begun (in fact the first strip is already up).

This scene sees the reintroduction of Lily Lawrence (learn more about her here), so I've been sketching and drawing her to get reacquainted. Here she is, announcing her up-coming appearance.